Speak by Laurie Halse Anderson
Find it at your local indie!
- Why I read it: Speak Loudly!
- Disclosure: Borrowed a final published edition from a friend.
Note: This review will assume that you know the reason why Melinda is "mute." I'm trying to avoid major spoilers, but if you don't know the ending yet and wouldn't like to, you probably shouldn't read this post.
Since the beginning of the school year, high school freshman Melinda has found that it's been getting harder and harder for her to speak out loud: "My throat is always sore, my lips raw.... Every time I try to talk to my parents or a teacher, I sputter or freeze.... It's like I have some kind of spastic laryngitis." What could have caused Melinda to suddenly fall mute? Could it be due to the fact that no one at school is speaking to her because she called the cops and got everyone busted at the seniors' big end-of-summer party? Or maybe it's because her parents' only form of communication is Post-It notes written on their way out the door to their nine-to-whenever jobs. While Melinda is bothered by these things, deep down she knows the real reason why she's been struck mute...
Laurie Halse Anderson's first novel is a stunning and sympathetic tribute to the teenage outcast. The triumphant ending, in which Melinda finds her voice, is cause for cheering (while many readers might also shed a tear or two). After reading Speak, it will be hard for any teen to look at the class scapegoat again without a measure of compassion and understanding for that person--who may be screaming beneath the silence.
I know
when I reviewed Monster, I listed
Speak as one of those books that has so entered our psyche that it's pointless to review. So this won't exactly be a review, but I thought it might be interesting to share my reactions after finishing the book that has become such a touchstone for anti-censorship activists, rape victims, and teenagers everywhere. As I said in my Speak Loudly post, I was actually kind of terrified to pick this one up, because when a book represents as much as this one does, sometimes it's better to like a book in the abstract than to actually read it. I was afraid my hyper-critical-ness was going to get in the way of things. For all of my readers who have skipped this one for the same reason, boy, are you depriving yourself. First of all, the unusual format used for most of the dialogue.
Character: blah blah blah
Me (Melinda):
Character: blah blah blah
Me:
I'm a
talkative person, and I still can't even tell you the amount of times this has been me. Of course, it's ten times worse for Melinda, but I've literally written stuff out like that in my journal. For some reason while you're a freshman in high school, no one seems to really care whether you speak or not, and every time we had a passage like this I wanted to cheer:
Somebody gets it! So kudos to you, Laurie Halse Anderson. You know the teenage experience and how it really works, not how most adults try to remember it fondly.
The other thing that stands out to me? The teachers. Wow. The whole thing was rather Donnie Darko-esque in its adults-don't-get-it-ness. From Mr. Neck (Donnie's health teacher?) to the art teacher (Drew Barrymore as his English teacher?), the caricatures of high school teachers were really played on, and it worked because of their sort-of acknowledgment as caricatures and also because of the acknowledgment that those caricatures are there for a reason. Maybe it's not my place to say this, as I've never had to endure high school teachers, but the high school teachers were really nailed. After all, high school is life in miniature, and you'll keep on finding those caricatures in college, too, even if they're all slightly less crazy.
And, despite the fact that I've known how this book ends for two years now as everybody in the blogosphere and Twitterverse seems to assume that you've read it, it remained surprisingly suspenseful for me. Again, my readers who have avoided it because they think they know everything that's going to happen, read it anyway. There were still a lot of surprises for me.
I've never been raped, and I hope I never am, though unfortunately statistics aren't in my favor. (According to the bonus material in the back of the platinum edition of
Speak, 44% of rape victims are under the age of eighteen, and 46% of those are somewhere between 12 and 15, and one in three women will be raped over the course of her lifetime. You don't need to be a math genius to figure that one out.) Of course you can see why this book appeals to rape victims, and the way it handles such a taboo topic is masterful. Unfortunately, we still live in a misogynist culture, as evidenced by the
frat boy cheers at Yale. But this book isn't just about rape - it's about speaking loudly against all injustice, whether it's censorship or prejudice or anything that affects our right to the pursuit of happiness. It's so important that teens speak out and find their own voices, and I have to admit I got teary eyed at the end of it, because even though I've been lucky enough to find my voice pretty early, sometimes I still find it easier to be mute. Thank you, Laurie Halse Anderson, for making it clear without preaching that being mute is never the way to go. And a thank you is owed to Wesley Scroggins as well, for condemning this book and therefore making it irresistible. I'm sure it's the exact opposite of what you intended. An obvious
five out of five stars.